Abstract
Excerpt: This article argues that that transnational movement of Melvin van Peebles is crucial in ending the dearth in African American feature film production in the United States after Oscar Micheaux’s The Betrayal (1948).
| Original language | American English |
|---|---|
| Journal | Jump Cut |
| State | Published - Jul 11 2019 |
Keywords
- Melvin Van Peebles
- critical race politics
Disciplines
- Film and Media Studies
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